12/27/2023 0 Comments Blonde tim burton charactersThe world’s most successful filmmaker may have the golden touch, but Steven Spielberg’s fixation on dads who flew the coop - either via divorce or neglect or for the chance to meet aliens - borders on monomania. It was driving me crazy.”Ībsentee fathers ( Close Encounters of the Third Kind, E.T., Indiana Jones and the Last Crusade, Hook, The Lost World: Jurassic Park, Catch Me If You Can, War of the Worlds, Indiana Jones and the Kingdom of the Crystal Skull) “I wasn’t particularly happy about having a lot of them in the movie … They were showing up on set for auditions, hundreds of them every day. “Terry has an obsession with midgets,” Nabulsi said in a commentary track for the film’s Criterion Collection edition. Little people appear among the extras in The Fisher King, and before Verne Troyer co-starred prominently in Doctor Parnassus, he popped up in 1998’s Fear and Loathing - along with a slew of other little people - much to the chagrin of producer Laila Nabulsi. After kicking off his Trilogy of Imagination with 1981’s sleeper hit Time Bandits (about a team of time-traveling dwarves), Gilliam used actor Jack Purvis twice more in Brazil and Munchausen. Little people ( Time Bandits, Brazil, The Adventures of Baron Munchausen, The Fisher King, 12 Monkeys, Fear and Loathing in Las Vegas, The Imaginarium of Doctor Parnassus, Zero Theorem)Ĭall him a champion of the little guy. You can practically see the jolly Mexican auteur smiling behind the camera with glee. This fetish reached its zenith in Hellboy II: The Golden Army, in which the climactic battle takes place in a throne room made of giant gears, surrounded by clockwork robots. From then on, it became a prominent motif throughout his filmography, whether it’s a clockwork Nazi made of sand in Hellboy or the sea of hot glowing gears underneath the Jaeger pilots of Pacific Rim. And I have, in my day, taken a couple of watches apart.” This passion is evident from his debut feature Cronos (in which the titular vampire-making device amounts to a clockwork insect). I like to open them up and check the mechanisms. “I have an automaton that plays the cello and another that has a little funnel and whistles a tune. “I love anything clockwork,” the director of Hellboy, Pan’s Labyrinth and Pacific Rim said in 2007. Has any of this given Nolan’s actual wife/producer Emma Thomas pause? The jury’s out on Nolan’s forthcoming Interstellar, but in previews, the daughter Matthew McConaughey’s character leaves behind looks decidedly motherless. Maggie Gyllenhaal’s character in The Dark Knight is blown up seconds after agreeing to marry a man. The Prestige gives us two dead wives for the price of one in Piper Perabo and Rebecca Hall, while Leonardo DiCaprio is haunted by the dream memory of his dead bride Marion Cotillard in Inception. The entire plot of Memento is driven by the protagonist’s search for the man who murdered his wife (whose credited character name is literally “Leonard’s Wife”), along with a sidebar story of another wife named Mrs. In that cool detachment, he may have been unaware of an increasingly disturbing trope that shows up time and again in his films: dead wives. Nolan is beloved by his fan base for the tightly calculated precision of his screenwriting and shooting styles. Let’s take a look at some of our favorite directors and their … well, interesting proclivities.ĭead wives ( Memento, The Prestige, The Dark Knight, Inception) Alfred Hitchcock had a weird thing for blondes, yet compared to some of these other filmmakers’ recurring obsessions, Hitch seems downright clean-cut. (Think Wes Anderson or Tim Burton.) And then there are some who can be I.D.d by recurring motifs that pop up again and again in their work. There are some directors whose work you can identify on the spot because of their films’ style, look, music, or the actors involved.
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